Nothing To See Here – Move Along

IMG_0163I know I’ve mentioned IWSG Day before. But, for those who don’t know what the hell I’m talking about, I’ve never really explained. So, here goes: on the first Wednesday of every month, the idea is to put together a blog post focused specifically on writing. Preferably one that other writers will find interesting and/or useful. An additional part of the challenge is a suggested theme for those posts. Now, for a guy that pretty much writes this blog in the purest stream-of-consciousness, that thematic element is a fun little mini-challenge.

The hard part of the whole thing? It’s that stream-of-consciousness thing. When I write these posts, it is mostly just a short burst of effort to give me a break from whatever else I’m writing or doing. They receive, at best, one editing pass. That’s it, just one. Hell, most of the time I’m having a beer while I write them.

And other writers read them.

Uhh…

Maybe I really am just as nuts as my family thinks.

Ah well, we all have our crosses to bear.

At any rate, today’s theme is about putting yourself into your characters. Specifically, about whether or not you have, either on purpose or by accident, put personal info into your characters.

Umm…ahh…ahem.

No, not me. Not at all. Nope…and I’m just gonna slink away, now, whistling an innocent little tune. Nothing to see here, move along.

For me it’s more than putting myself into the characters. No, for me, the personal things go into the story itself. Even more, they go into the subtext of the story.

To dredge up something from a post I wrote a year or so ago: my favorite character – far and away my favorite! – has not even the slightest bit of me in him. He is, honestly, in no way an element of me, nor of my subconscious.

No, what he is is the most personal character I’ve ever created: he is a collage of the dead, of those friends I have lost. Oz is the face, and the pain, of suicide. To me, he embodies the very real grief and regret of that tragedy…and the very, very real memories.

In Wrath, given the limited POV I chose to use, Oz’s reality – and his power – wasn’t always easy to show…nor was I always successful. In Silence, however…

In Silence, I am playing a great deal more intimately with Oz, and with his relationship with Connor. Some of those bits make me laugh, while others are still strong enough to bring a tear.

The subtext of Silence is very much Connor’s struggle with survivor’s guilt, and with all of the shit that particular demon brings*, but…well…Oz is still my favorite. I may have killed him, but I can’t leave him behind.

*Not that I would know anything about that. Nope, not me, not at all…

And, before you ask: yes, my characters speak to me. That was, honestly, why I put aside everything else in my life to write the stories I am currently working on: Connor and Oz just wouldn’t shut the fuck up. I had thought (hoped?) that writing Wrath would quiet them down…

…boy, was I wrong.

And, yes, that does in fact make me officially nuts. Oh well, what the hell; I write sci-fi and fantasy, true sanity was never more than a distant dream, anyway.

2 thoughts on “Nothing To See Here – Move Along

  1. Kathy October 11, 2017 / 3:54 pm

    Don’t worry about carefully crafting blog posts that are well structured and witty and grammatically perfect. I suspect few bloggers actually do that. I sure as heck don’t. My blog posts get the same care and attention that you mentioned, minus the beer! So… you know. It’s all good. And it is all good. This was a good post. How did you get yourself to Yellowstone for five months, by the way. Me? Jealous!

    Like

  2. WriterMinion October 11, 2017 / 5:34 pm

    It was the wonderful miracle of “needing a change”. On the purest whim, I took a job with one of the companies that operates inside the park. The job was nothing glamorous or exciting, but the results were everything I could have asked for. It was, in all honesty, a five-month vacation that cost me nothing, and gave me more than I ever expected.

    Like

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